This talk will examine the reorganization of singing voices and vocal aesthetics in the music of Tamil cinema, contrasting the ideals for male and female voices from the 1960s and 1970s with new ideals that have emerged since the 1990s in the wake of India’s economic and cultural liberalization. Based on ethnographic research among playback singers, music directors, and sound engineers in the Tamil film industry, the talk will show how two now salient aesthetics ...