Humanities Decanted

Humanities Decanted

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Humanities Decanted: Daina Sanchez

McCune Conference Room, 6020 HSSB Santa Barbara, CA, United States

Join us for a dialogue with Daina Sanchez (Chicana and Chicano Studies) about her new book, The Children of Solaga: Indigenous Belonging across the U.S.-Mexico Border. In The Children of Solaga, Sanchez examines how Indigenous Oaxacan youth form racial, ethnic, community, and national identities away from their ancestral homeland. Assumptions that Indigenous peoples have disappeared altogether, or that Indigenous identities are fixed, persist in the popular imagination. This is far from the truth. Sanchez demonstrates ...

Humanities Decanted: Lisa Jacobson

McCune Conference Room, 6020 HSSB Santa Barbara, CA, United States

Join us for a dialogue between Lisa Jacobson (History) and Erika Rappaport (History) about Jacobson's new book, Intoxicating Pleasures: The Reinvention of Wine, Beer, and Whiskey after Prohibition. In popular memory, the repeal of US Prohibition in 1933 signaled alcohol’s decisive triumph in a decades-long culture war. But as Lisa Jacobson reveals, alcohol’s respectability and mass market success were neither sudden nor assured. It took a world war and a battalion of public relations experts ...

Humanities Decanted: Juan Cobo Betancourt

McCune Conference Room, 6020 HSSB Santa Barbara, CA, United States

Join us for a dialogue with Juan Cobo Betancourt (History) about his new book, The Coming of the Kingdom: The Muisca, Catholic Reform, and Spanish Colonialism in the New Kingdom of Granada. The Coming of the Kingdom explores the experiences of the Indigenous Muisca peoples of the New Kingdom of Granada (Colombia) during the first century of Spanish colonial rule. Focusing on colonialism, religious reform, law, language, and historical writing, Cobo Betancourt examines the introduction ...

Humanities Decanted: Shana Moulton

McCune Conference Room, 6020 HSSB Santa Barbara, CA, United States

Join us for a discussion with Shana Moulton (Art) about her recent exhibition at MoMa, Meta/Physical Therapy. This 2024 exhibition is a new, site-specific installation. Through performance, video, and sculpture, Moulton chronicles the experiences of her semi-autobiographical alter-ego, Cynthia, as she navigates personal choices and physical limitations. Transforming the Kravis Studio into a prismatic environment, this installation employs the artist’s signature blend of spiritual imagery, medical technology, popular culture, and references to high art and ...