In the 1970s, the filmmakers Masao Adachi and Jean-Luc Godard each created a sophisticated essay film that used the Palestinian revolution to reflect questions of truth, representation, media circuits, and the relationships that can and cannot be formed through them. This talk shifts attention away from these well-known works to focus on the films Palestinians themselves were making at this time, exploring how they engaged differently with the ideas that animated Adachi and Godard, as ...