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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230510T153000
DTEND;TZID=America/Los_Angeles:20230510T170000
DTSTAMP:20260601T192436
CREATED:20230411T182805Z
LAST-MODIFIED:20230425T172619Z
UID:10000644-1683732600-1683738000@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Color: Additions\, Subtractions\, Signals
DESCRIPTION:Download FlyerIn this presentation\, Ricardo Cedeño Montaña will describe some of the particular principles\, mechanisms\, and techniques by which color film functioned in its formative years and the coding schemes for (re)producing\, storing\, and transmitting color information in electronic and digital media. Using a media archaeological approach to technical media\, Cedeño Montaña will show that color in technical media is anything but stable and such instability implies different contexts of sensory data processing and storage. This presentation is divided into three parts: In the first part\, Cedeño Montaña will briefly discuss some aspects of the history of color science\, and in the following two sections he will concentrate the analysis first on film media formats and second on the (re)production of color in electronic television and on digital screens for mobile devices. \nDr. Ricardo Cedeño Montaña is professor\, media archaeologist of technical images\, and multimedia artist. His artworks have been exhibited in Colombia\, Argentina\, and Germany. His recent research work focuses on the media archaeology of computer graphics and digital color. He is the author of Portable Moving Images (Degruyter 2017). As associate professor at the Faculty of Communications and Philology at the University of Antioquia\, Colombia\, he promotes algorithmic thinking for digital creation and experimental approaches to technical media analysis. He has worked as a professor of archaeology and media history\, industrial design\, and digital art at Humboldt-Universität zu Berlin\, Universidad Nacional de Colombia\, Hochschule Bremerhaven\, Universidad de los Andes and Universidad de Caldas. He holds a Ph.D. in History and Theory of Culture (2017\, Humboldt-Universität zu Berlin; Germany) and an M.A. in Digital Media (2009\, Hochschule Bremerhaven\, Germany). In Colombia\, he studied Multimedia Creation (2003\, Universidad de los Andes) and Industrial Design (1999\, Universidad Nacional de Colombia). \nSponsored by the IHC’s Theories of Media and Techniques in the Wake of Postcolonial and Environmental Studies Research Focus Group\, Department of Film & Media Studies\, Department of Germanic & Slavic Studies\, Carsey Wolf Center\, Transcription Center\, Department of Spanish & Portuguese\, and Comparative Literature Program \nImage credit: Ricardo Cedeño Montaña
URL:https://ihc.ucsb.edu/event/color-additions-subtractions-signals/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Environmental and Postcolonial Media Theories,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2023/04/TMT_Event.jpg
ORGANIZER;CN="Theories of Media and Techniques in the Wake of Postcolonial and Environmental Studies RFG":MAILTO:vagt@ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230426T153000
DTEND;TZID=America/Los_Angeles:20230426T173000
DTSTAMP:20260601T192436
CREATED:20230427T153803Z
LAST-MODIFIED:20230522T215701Z
UID:10000651-1682523000-1682530200@ihc.ucsb.edu
SUMMARY:Research Focus Group Colloquium: Agents of Ishq and the Radical Possibilities of Love
DESCRIPTION:Download FlyerThis colloquium will explore with Paramita Vohra the experience of co-creating a digital space about sex\, love\, and desire in India. \nParomita Vohra is an Indian media artist and writer who works with a range of forms\, including film\, comic books\, digital media\, installation art\, and writing\, to explore themes of feminism\, desire\, urban life\, and popular culture. Her filmography as director includes the documentary Partners in Crime\, which will be screened on April 27 at 7:00 pm at the Pollock Theater\, as well as the documentaries Unlimited Girls\, Q2P\, and Morality TV and the Loving Jehad. She has written the feature film Khamosh Pani; the documentaries Skin Deep\, Stuntmen of Bollywood\, and If You Pause; the play Ishquiya: Dharavi Ishtyle; and the comic book Priya’s Mirror. In addition\, she has published essays on film\, popular culture\, love\, and desire\, as well as several short stories. She also writes a weekly newspaper column “Paro-normal Activity” for Sunday Mid-Day. In 2015\, Vohra founded the Agents of Ishq\, an award-winning digital platform for conversations on sex\, love\, and desire in India\, and she is currently serving as its creative director. \nSponsored by the IHC’s South Asian Religions and Cultures Research Focus Group\, Department of Film and Media Studies\, and Department of Feminist Studies
URL:https://ihc.ucsb.edu/event/agents-of-ishq-and-the-radical-possibilities-of-love/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2019/10/SouthAsian_RFG_Event.jpg
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220506T150000
DTEND;TZID=America/Los_Angeles:20220506T170000
DTSTAMP:20260601T192436
CREATED:20220504T205456Z
LAST-MODIFIED:20220504T211929Z
UID:10000385-1651849200-1651856400@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: The Indian Ramayana and Its Regional Performance Traditions
DESCRIPTION:Download FlyerIn this talk\, Paula Richman will provide a brief survey of the major performance traditions in which the Ramayana narrative is enacted in different regions of India\, including Kerala\, Tamilnadu\, Karnataka\, Uttar Pradesh\, West Bengal\, and Assam. She will then provide analyses of two examples of how specific sets of theatrical conventions shape the representation of familiar characters. The 1954 Tamil mythological drama\, “The King of Lanka\,” starring Manohar\, begins and ends as a conventional bhakti narrative\, but depicts Ravana as a father whose worry about his daughter’s welfare leads to his death. The 2019 female Nangyarkuttu solo dance of Kerala\, “Ahalya\,” starring Usha\, departs from the convention that the female solo be based on a Sanskrit Kudiyattam text by drawing its narrative from a Malayalam text. Richman will conclude by exploring the circumstances under which two acclaimed performances may transgress the expectations for the performance and considering the implications for actors\, actresses\, audiences\, and experts in the tradition. \nPaula Richman is the William H. Danforth Professor Emerita of South Asian Religions at Oberlin College. Her publications on the diversity of the Ramayana tradition include four edited volumes\, Many Ramayanas (1991)\, Questioning Ramayanas\, a South Asian Tradition (2000)\, Ramayana Stories in Modern South India (2008)\, and Performing the Ramayana Tradition: Enactments\, Interpretations\, and Arguments (2021)\, co-edited with Rustom Bharucha. \nSponsored by the IHC’s South Asian Religions and Cultures Research Focus Group\, Film and Media Studies\, Global Studies\, and Religious Studies
URL:https://ihc.ucsb.edu/event/the-indian-ramayana-and-its-regional-performance-traditions/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/05/Indian-Ramayana_Event.jpg
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190522T150000
DTEND;TZID=America/Los_Angeles:20190522T170000
DTSTAMP:20260601T192436
CREATED:20190522T164845Z
LAST-MODIFIED:20190522T204802Z
UID:10000424-1558537200-1558544400@ihc.ucsb.edu
SUMMARY:Talk: Black Like Moi: Performing Race with Rouch and Cassavetes
DESCRIPTION:Download FlyerThis paper analyzes interactions between blacks and whites depicted between 1957 and 1961 in Jean Rouch’s I\, a Black Man\, The Human Pyramide\, and Chronicle of a Summer. It concludes with remarks on Shadows\, a 1958-59 feature film by John Cassavetes often credited as a breakthrough in U.S. independent filmmaking. In so doing\, I mean to explore what Rouch and Cassavetes were trying to accomplish through production practices that bordered on the experimental. Major topics to be raised include: (1) what reading across these films completed on opposite sides of the Atlantic discloses concerning cinematic treatments of relations between blacks and whites between 1957 and 1961; and (2) how such cross-reading contributes to a fuller understanding of Rouch’s films in a transnational context. \n  \nSteven Ungar has taught French literature & thought\, Comparative Literature\, Translation\, & Film at The University of Iowa since 1976. His latest publications include Critical Mass: Social Documentary in France from the Silent Era to the New Wave (University of Minnesota Press\, 2018) as well as book chapters on Louis Malle’s Lacombe Lucien and on Chantal Akerman’s La Captive. \n  \nIn addition to this scheduled talk\, the films under discussion will be shown in a morning lecture course (101C: New Waves Cinema) for which you are invited to join us for the following screenings: \n  \nChronique d’un été [Chronicle of a Summer] (dir. Jean Rouch and Edgar Morin\, 1961\, 90′): Pollock Theater\, Tuesday\, May 21 at 10 am \n  \nMoi\, Un Noir [I\, A Black Man] (dir. Jean Rouch\, 1958\, 73′): Pollock Theater\, Thursday\, May 23 at 9:30 am\, followed by a discussion between Peter Bloom and Steven Ungar \n  \nThis talk is co-sponsored by the Interdisciplinary Humanities Center\, GCLR\, CWC\, 21st Century Global Dynamics Initiative\, Department of French and Italian\, the African Studies RFG\, and the Department of Film and Media Studies.
URL:https://ihc.ucsb.edu/event/talk-black-like-moi-performing-race-with-rouch-and-cassavetes/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,Other Events
ORGANIZER;CN="Peter Bloom":MAILTO:pbloom@filmandmedia.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190417T160000
DTEND;TZID=America/Los_Angeles:20190417T180000
DTSTAMP:20260601T192436
CREATED:20190319T170606Z
LAST-MODIFIED:20190321T171143Z
UID:10000406-1555516800-1555524000@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Epistemological Revolution in Japan's Long 1968
DESCRIPTION:Download FlyerA focus on student actors has often led historians of Japan to dismiss the idea of epochal change in “the long 1968.” This talk adopts the perspective of the older generation of Japanese social scientists to show these years as a watershed in the basis of authoritative knowledge. The existing historiography often presents these scholars as reactionary. I show how they\, in concert with their colleagues abroad\, actually anticipated and indeed accelerated epistemological revolution. \nBorn in the two decades from 1900-1920\, “transwar” social scientists assumed leadership of their disciplines in the 1930s and maintained intellectual hegemony across the chronological divide of World War II. They were linked by shared demographic characteristics and\, more importantly\, through a common commitment to objectivity. Transcending the domestic intellectual community\, conviction in objectivity drew together a transnational network of scholars able to trust and engage with each other’s work. I show how\, during the 1960s\, their critiques of the postwar order (that they themselves had built) led to the dethronement of objectivity as the hallmark of epistemological legitimacy\, and to their own exit from the universities. I conclude by looking at their younger replacements\, who inaugurated subjective\, activist\, and particularist paradigms of knowledge. \nSponsored by the IHC’s Reinventing Japan Research Focus Group\, the East Asia Center\, the Department of History\, and the Department of East Asian Languages and Cultural Studies
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-epistemological-revolution-in-japans-long-1968/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,Reinventing Japan,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2019/03/Japan_event1200x450.jpg
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20181016T150000
DTEND;TZID=America/Los_Angeles:20181016T170000
DTSTAMP:20260601T192436
CREATED:20181011T172227Z
LAST-MODIFIED:20181015T202925Z
UID:10000115-1539702000-1539709200@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Reforming the Centralised State: Decentralization Paradigms in the Drinking Water Sector in India and the Philippines
DESCRIPTION:Download FlyerThis talk will examine decentralized reforms in the drinking water sector in India and the Philippines from a policy perspective focused on institutional design and implementation at the local level. It has been argued that institutional architecture for decentralized reforms is contested and requires better understanding of power and politics in shaping decentralization designs and outcomes. The paradigm of Indian decentralization is endogenous\, and from this one can suggest that greater devolution in the water sector will lead to greater democratization across other sectors. However\, given the biases of international development assistance in the Philippines\, decentralization has taken the form of privatization in a Philippine province. While highlighting the important role that the provision of safe drinking water can play in poverty alleviation\, Singh will suggest that privatized reforms have failed to address wider concerns related to the public goods nature of water. He will argue that decentralization can be synonymous with both democratization and privatization in different paradigms of decentralization in the water sector. \nSatyajit Singh is Professor of Political Science at the University of Delhi. His research interests are governance\, Indian politics\, public policy\, development\, and environmental issues. His publications include The Local in Governance: Politics\, Decentralization and Environment; Taming the Waters: The Political Economy of Large Dams in India; The Dam and the Nation: Displacement and Resettlement in the Narmada Valley (co-editor); and Decentralisation: Institutions and Politics in Rural India (co-editor). \nSponsored by the IHC’s South Asian Religions and Cultures RFG and the Department of Global Studies
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-reforming-the-centralised-state-decentralization-paradigms-in-the-drinking-water-sector-in-india-and-the-philippines/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180504T150000
DTEND;TZID=America/Los_Angeles:20180504T170000
DTSTAMP:20260601T192436
CREATED:20180425T235219Z
LAST-MODIFIED:20180425T235328Z
UID:10000228-1525446000-1525453200@ihc.ucsb.edu
SUMMARY:Talk: Keeping it Real? Vinyl Records\, Digital Media\, and the Future of Independent Culture
DESCRIPTION:Download FlyerFeedback loops abound between digital media and contemporary vinyl culture. The majority of record sales occur online\, the download code is a familiar feature of new vinyl releases\, and turntables outfitted with USB ports and Bluetooth are outselling traditional models. The manufacture of records cannot be digitized; however\, as with most commercial culture today\, vinyl traffic is driven by algorithms and thrives on social media. Furthermore\, the ascent of streaming over the past five years has boosted record sales\, creating both-and markets for “flow” and “publication” media\, distinguished by Raymond Williams as being accessed or acquired by consumers. Contemporary vinyl culture demonstrates how digital media can play a vital role in any community organized around a shared appreciation for cultural forms and formats\, analog or otherwise. Eschewing nostalgia for records as (merely) a reprieve from digital saturation\, in this talk Palm argues that scholars and supporters of independent culture should decouple the digital from the corporate. \nMichael Palm is Associate Professor of Media and Technology Studies in the Department of Communication at UNC-Chapel Hill and Affiliated Faculty in the Department of American Studies. His book Technologies of Consumer Labor: A History of Self-Service was published by Routledge in 2017. His current book project is a cultural studies account of vinyl records’ revived popularity\, informed by labor ethnography along records’ contemporary supply chain. \nSponsored by the Interdisciplinary Humanities Center; the Carsey-Wolf Center; the Center for Information Technology and Society; the Film and Media Studies Dept.; the Center for the Interdisciplinary Study of Music
URL:https://ihc.ucsb.edu/event/talk-keeping-it-real-vinyl-records-digital-media-and-the-future-of-independent-culture/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,Other Events
ORGANIZER;CN="Jennifer Holt":MAILTO:jholt@filmandmedia.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171108T150000
DTEND;TZID=America/Los_Angeles:20171108T160000
DTSTAMP:20260601T192436
CREATED:20171108T213810Z
LAST-MODIFIED:20171108T213810Z
UID:10000128-1510153200-1510156800@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: The Highway\, Automobility\, and New Promises in 1960s Bombay Cinema
DESCRIPTION:Download FlyerA fascination for color in the 1960s led to Bombay cinema’s mobilization of the hinterland as the site for a new future. With the development of Indian highways and an increase in automobility\, a new map of India now occupied the cinematic imagination. This talk will explore the links between the infrastructure of automobile culture\, the highway\, industrial development outside the city\, and 1960s Bombay Cinema. \nRanjani Mazumdar is Professor of Cinema Studies at the School of Arts and Aesthetics\, Jawaharlal Nehru University. Her publications focus on urban cultures\, popular cinema\, gender\, and the cinematic city. She is the author of Bombay Cinema: An Archive of the City (2007) and co-author with Nitin Govil of The Indian Film Industry (forthcoming). Her current research focuses on globalization and film culture\, the visual culture of film posters\, and the intersection of technology\, travel\, design\, and color in 1960s Bombay Cinema. \nSponsored by the Dept. of Film and Media Studies and the IHC’s South Asian Religions and Cultures RFG.
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-highway-automobility-new-promises-1960s-bombay-cinema/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2017/11/MuzumdarLecture_IHCUCSB.jpg
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
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