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DTSTART;TZID=America/Los_Angeles:20250519T090000
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DTSTAMP:20260405T061848
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SUMMARY:Research Focus Group Conference: Interdisciplinary Sinophone Conference
DESCRIPTION:Over the past decade\, Sinophone studies has emerged as a dynamic\, interdisciplinary field\, offering a flexible framework to explore the interconnections among Sinitic-speaking communities. \nThe Interdisciplinary Sinophone Conference aims to foster intellectually inclusive\, creative\, and rigorous conversations about the Sinophone world. It aims to enhance interdisciplinary perspectives in Sinophone studies\, with a primary focus on literary studies\, Indigenous studies\, ethnomusicology\, and gender and sexuality studies in Sinophone communities and beyond. \nBiographies of the Panel Speakers:\nKyle Shernuk is a scholar of modern and contemporary Chinese and Sinophone literatures\, film\, and cultures. His research takes a particular interest in disempowered and minoritized populations\, with recent publications focusing on issues of ethnicity\, Indigeneity\, queerness\, and language in global Chinese communities. His current book project\, Sinoscapes: Chinese Studies for the New Millennium\, advances a new model for imagining the potential of Chinese studies through an investigation of ethnicity and Indigeneity in Sinitic-language texts. He is also an active Chinese-English translator\, and his translation of Syaman Rapongan’s Eyes of the Sky is forthcoming with Columbia University Press. \nHo Chak Law is an assistant professor in race and musicology at The New School. His research focuses on the cultural politics of performance and representation in the Sinophone. Most recently\, his article “Naamyam\, Creative Music\, and Immigrant Act: Meditations on Jon Jang’s Musical Setting of Genny Lim’s ‘Burial Mound’” was published in Music Theory Spectrum. He is currently working on a monograph tentatively titled Cosmopolitan Decadence: Popular Music and the Politics of the Sinophone in the Twentieth Century. \nDian Dian is a researcher and community organizer working at the intersections of gender\, sexuality\, migration\, and labor. They received a Ph.D. in Women’s\, Gender\, and Sexuality Studies from Emory University\, with a dissertation on queer feminist organizing across Sinophone communities. Dian has been involved in LGBTQ+ and feminist movements since 2009\, including serving as editor-in-chief of Queer Lala Times and as communications manager of Chinese Lala Alliance. Now based in Seattle\, they lead research and campaign organizing at the Massage Parlor Organizing Project (MPOP) and support community building among overseas Chinese queer women through Upwomxn. \nCosponsored by the IHC’s Interdisciplinary Sinophone Studies Research Focus Group and UCSB’s Center for Taiwan Studies
URL:https://ihc.ucsb.edu/event/interdisciplinary-sinophone-conference/
LOCATION:2252 HSSB\, HSSB\, UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Interdisciplinary Sinophone Studies,All Events,IHC Research Focus Groups
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DTSTART;TZID=America/Los_Angeles:20250212T153000
DTEND;TZID=America/Los_Angeles:20250212T164500
DTSTAMP:20260405T061848
CREATED:20250116T185322Z
LAST-MODIFIED:20250128T175655Z
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SUMMARY:Research Focus Group Talk: Inside Chinese Theater: Archive of the Invisible and the Sino-Soundscape in North America
DESCRIPTION:The defining tunes of the Sinophone community in the nineteenth and early twentieth centuries were those of the Cantonese opera performed in Chinese theaters. This history has been invisible due to the scarcity of materials about Sinophone community in archives. The sonic imageries were also imprisoned by the mounting derision in English newspapers and travelogues. Drawing from the diary of a Chinese laborer to piece together the history of vibrant Chinese theaters\, this talk offers readings against the grain to consider how archives structure our understanding of the past and frame how we enter into the present and future. \nNancy Yunhwa Rao is Distinguished Professor of Music at Rutgers University. Her work bridges musicology\, music theory\, and Sinophone and Inter-Asia studies. A member of the American Academy of Arts and Sciences\, she is the author of Chinatown Opera Theater in North America. For The Cambridge Companion to Serialism\, she contributed a chapter on East Asia. Her analysis of materiality in the sonic imagery of East-Asian composition recently appeared in Music Theory Spectrum. Rao currently serves as editor of the journal American Music. Her new book\, Inside Chinese theater: Community and Artistry in Nineteenth-Century California and Beyond\, will be published in March 2025. \nCosponsored by the IHC’s Interdisciplinary Sinophone Studies Research Focus Group\, Department of Music\, and UCSB’s Center for Taiwan Studies
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-inside-chinese-theater-archive-of-the-invisible-and-sino-soundscape-in-north-america/
LOCATION:McCune Conference Room\, 6020 HSSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Interdisciplinary Sinophone Studies,All Events,IHC Research Focus Groups
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