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DTSTART;TZID=America/Los_Angeles:20260511T160000
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DTSTAMP:20260506T215207
CREATED:20260501T210920Z
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UID:10000811-1778515200-1778518800@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: “Children are an Extraordinary Plastic Material”: Juvenile Homelessness and Delinquency in the Early Soviet Union
DESCRIPTION:The symbol of the 1917 Bolshevik revolution in public memory in Russia and abroad has been the tragedy of the Romanovs’ family in which five children of Nicholas II and Alexandra had been executed by the Bolsheviks\, along with their parents. What is less salient in public commemoration is the fact that thousands of ordinary children died in the years after the Revolution from hunger\, diseases\, and overall neglect as direct causes of the turbulent revolutionary time. Children became immediate victims of the collapse of the Russian empire and the Bolsheviks’ fierce fight for power. A combination of manmade disasters – First World War\, 1917 Revolution and the Civil War\, the policies of war communism\, and the resulting famine of 1921–22 – led to hundreds of thousands of abandoned children. Children lost their parents\, relatives\, homes\, and lives to the Bolshevik cause. \nThis talk explores the politics of the nascent Soviet state towards childhood. In the 1920s–30s\, children were seen as an “extraordinary plastic material” by both scientific and political actors who proposed that institutionalization and “productive” labor would create the environment that would nurture anti-criminal habits and proletarian identities for young Soviet citizens in the making. To address the problem of children’s homelessness and crime\, special homes and labor communes for orphans and young offenders were opened under the auspices of both the Ministry of Enlightenment and OGPU (political police) and were run by educators pioneering methods of rehabilitating troubled adolescents through collective labor. Noi will analyze several representative children’s homes and juvenile colonies of the 1920s–30s designed as places of experiments with ideas of human transformation. She will discuss how in the early Soviet Union the criminality of juvenile delinquents was considered reversible through the change in their environment – through institutionalization in communes/colonies and collective work in agriculture and industry. \nAlexandra Noi is a Ph.D. candidate in the History Department at the University of California\, Santa Barbara. She received her B.A. and M.A. in China Studies before completing a Ph.D. in Modern Chinese Literature from St. Petersburg State University. At UCSB\, she is pursuing her second Ph.D. in Soviet and Chinese history. She is interested in exploring the historical connections between modern science and incarceration. Her research problematizes the analysis of authoritarianism and state violence by uncovering entanglements between their political ideologies and contemporary scientific ideas and practices. \nCosponsored by the IHC’s Global Childhood Media Research Focus Group
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-children-are-an-extraordinary-plastic-material-juvenile-homelessness-and-delinquency-in-the-early-soviet-union/
LOCATION:6206C Phelps Hall
CATEGORIES:Global Childhood Media,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2026/05/NOI_RFG_Event.jpg
ORGANIZER;CN="Global Childhood Media":MAILTO:saraweld@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260520T140000
DTEND;TZID=America/Los_Angeles:20260520T153000
DTSTAMP:20260506T215207
CREATED:20260422T233725Z
LAST-MODIFIED:20260424T210313Z
UID:10000809-1779285600-1779291000@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: The Funny Thing About Noise: Film Sound Aesthetics in the Cold War Cinema of Taiwan and South Korea
DESCRIPTION:Taiwanese and South Korean film comedies of the 1960s and 70s were swarming with funny noises\, from cymbal crashes to dog barks and glissandos of all timbres. Why all the ruckus? Was this simply a relic of the bygone era\, an early sound film aesthetic arrived late in a developing nation? Examining the ways in which these sounds emanate from the bodies of comedians to make them larger\, unrulier\, or simply noisier than life\, Shih argue that these “comedy parasites” interrupt the dominant image-sound perceptual chain with powerful consequences. In reorganizing the audiovisual contract\, funny noises oriented filmgoers away from the authoritarian state and towards new political positions. They animated nonconformist\, transgressive\, and queer cinematic figures who were undeterred by the political and material realities of the Cold War. This remarkable feat was achieved despite—or perhaps thanks to—the perceived backwardness of film sound technology in these two post-colonial nations at the time. Unable to produce clear\, naturalistic\, and direct sound\, Taiwanese and Korean sound designers ingeniously embraced “noise” in the post-synchronization process\, specifically for the purposes of comedy. They contravened regimes of precision and technological developmentalism in their improvisatory recording practices. This talk examines through comparison how Taiwanese and South Korean cinema stretched the limits of audio-vision and invented a new rhetoric of film sound\, thereby developing a sensual means through which to communicate the absurdity of authoritarian state ideology. \nEvelyn Shih is Korea Foundation Assistant Professor at the Department of Asian and Middle Eastern Studies with a joint appointment in Cultural Studies and Comparative Literature at the University of Minnesota. She teaches courses on film and media\, as well as Korean culture and literature within a comparative and transnational framework. She studies colonial\, Cold War\, and contemporary East Asia. Her work has been published in the Journal of Chinese Cinemas\, the Journal of Korean Studies\, MCLC\, and Film Quarterly. Her first book manuscript\, Cold War Laugh Lines: Comic Communication in Authoritarian Taiwan and South Korea\, explores the comic forms that flourish under heavy censorship and ideological control. She dives into the archives of the anti-Communist sphere in Cold War East Asia to argue for the transnational circulation of a regional style of comic expression. Her work interweaves methodologies from affect and phenomenology\, media historiography\, environmental humanities\, aesthetics and critical theory. \nCosponsored by the Interdisciplinary Humanities Center’s Sounding Transpacific Asia Research Focus Group\, Center for Taiwan Studies\, East Asia Center\, and Department of East Asian Languages and Cultural Studies
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-the-funny-thing-about-noise-film-sound-aesthetics-in-the-cold-war-cinema-of-taiwan-and-south-korea/
LOCATION:McCune Conference Room\, 6020 HSSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Sounding Transpacific Asia,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2026/04/Evelyn_Shih_Event.jpg
ORGANIZER;CN="Sounding Transpacific Asia":MAILTO:almurphy@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260520T170000
DTEND;TZID=America/Los_Angeles:20260520T190000
DTSTAMP:20260506T215207
CREATED:20260422T235340Z
LAST-MODIFIED:20260501T165512Z
UID:10000810-1779296400-1779303600@ihc.ucsb.edu
SUMMARY:Research Focus Group Event: Undergraduate Research and Creative Showcase
DESCRIPTION:This undergraduate showcase will feature a research presentation by Fiona Boborci\, titled “Translating Childhood: Untranslatability\, Linguistic Hospitality\, and Reader Perception in The Little Prince.” In her talk\, Fiona explores the linguistic\, philosophical\, and cultural dimensions of translation in children’s literature\, examining how different English translations of Saint-Exupéry’s Le Petit Prince produce distinct understandings of childhood\, imagination\, and moral responsibility. Drawing on both French and English traditions\, the presentation highlights translation as an active and transformative process that shapes reader perception. \nFiona Boborci is a senior French and Comparative Literature double major at UCSB. She has studied French since early childhood and brings this linguistic background to her work in modern francophone literature. She will continue her studies after graduation in a teacher credentialing and master’s program\, with a focus on the intersections of linguistics\, literature\, and bilingual education. \nFollowing the talk\, the event will continue with a curated showcase of undergraduate creative projects\, including adaptations of literary works into visual media aimed at young adult audiences. Together\, the research and creative components highlight diverse approaches to engaging with literature across languages\, media\, and audiences. \nZoom attendance link here \nCosponsored by the IHC’s Global Childhood Media Research Focus Group
URL:https://ihc.ucsb.edu/event/research-focus-group-event-undergraduate-research-and-creative-showcase/
LOCATION:6206C Phelps and Zoom\, UC Santa Barbara\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Global Childhood Media,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2026/04/FIONA_BOBORCI_Event.jpg
ORGANIZER;CN="Global Childhood Media":MAILTO:saraweld@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260522T153000
DTEND;TZID=America/Los_Angeles:20260522T163000
DTSTAMP:20260506T215207
CREATED:20260422T232439Z
LAST-MODIFIED:20260424T210205Z
UID:10000808-1779463800-1779467400@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Re-negotiating the Algorithmic Contract: The Need for a Politics of Potentiality
DESCRIPTION:Jose Marichal is a professor of political science at California Lutheran University specializing in studying the role that algorithms and AI play in restructuring social and political institutions. His book entitled You Must Become an Algorithmic Problem was published in 2025 with Bristol University Press (UK). The book explores the unwritten social contract we have with the algorithms that shape what we see\, hear and think. His next project (expected 2026) is entitled Machine Liberalism: Reconceptualizing Rights in the Age of AI and looks at how algorithms and AI are changing our expectations of liberal democracy. \nCosponsored by the Interdisciplinary Humanities Center’s Low-Resource Research Ethics Research Focus Group\, Department of Classics\, and LOREL Lab
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-re-negotiating-the-algorithmic-contract-the-need-for-a-politics-of-potentiality/
LOCATION:3605 South Hall\, Santa Barbara\, CA\, 93106-7100\, United States
CATEGORIES:Low-Resource Research Ethics,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2026/04/Jose-Marichal_RFG_Event.jpg
ORGANIZER;CN="Low-Resource Research Ethics RFG":MAILTO:aklamar@ucsb.edu
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