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DTSTART;TZID=America/Los_Angeles:20220502T130000
DTEND;TZID=America/Los_Angeles:20220502T140000
DTSTAMP:20260603T045143
CREATED:20220418T210315Z
LAST-MODIFIED:20220418T210808Z
UID:10000380-1651496400-1651500000@ihc.ucsb.edu
SUMMARY:Research Focus Group Discussion: Global Adaptations: Throne of Blood
DESCRIPTION:This discussion will focus on Akira Kurosawa’s 1957 film\, Throne of Blood\, as a key twentieth-century film and as an adaption of Shakespeare’s Macbeth. Discussion will be centered around a number of key critical questions\, such as: What does Kurosawa bring to Shakespeare? How can we understand this as part of a larger history of Shakespeare and adaptation? How has this film been influenced by and subsequently influenced global cinema and global Shakespeare? What are the local traditions that inform this film as a global adaptation? How can we understand and situate this film as scholars and critics? \nPlease note that this is not a film screening\, and you will need to screen the film prior to attending this discussion. Contact shaunnowicki@ucsb.edu if you have any questions about screening the film. \nRSVP to attend \nSponsored by the IHC’s What Is a Shakespeare? Shakespeare and Global Media Research Focus Group
URL:https://ihc.ucsb.edu/event/research-focus-group-discussion-global-adaptations-throne-of-blood/
LOCATION:Zoom
CATEGORIES:What Is a Shakespeare?: Shakespeare and Global Media,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/04/Throne-of-Blood_Event.jpg
ORGANIZER;CN="What Is a Shakespeare?%3A Shakespeare and Global Media RFG":MAILTO:gracekimball@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220506T150000
DTEND;TZID=America/Los_Angeles:20220506T170000
DTSTAMP:20260603T045143
CREATED:20220504T205456Z
LAST-MODIFIED:20220504T211929Z
UID:10000385-1651849200-1651856400@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: The Indian Ramayana and Its Regional Performance Traditions
DESCRIPTION:In this talk\, Paula Richman will provide a brief survey of the major performance traditions in which the Ramayana narrative is enacted in different regions of India\, including Kerala\, Tamilnadu\, Karnataka\, Uttar Pradesh\, West Bengal\, and Assam. She will then provide analyses of two examples of how specific sets of theatrical conventions shape the representation of familiar characters. The 1954 Tamil mythological drama\, “The King of Lanka\,” starring Manohar\, begins and ends as a conventional bhakti narrative\, but depicts Ravana as a father whose worry about his daughter’s welfare leads to his death. The 2019 female Nangyarkuttu solo dance of Kerala\, “Ahalya\,” starring Usha\, departs from the convention that the female solo be based on a Sanskrit Kudiyattam text by drawing its narrative from a Malayalam text. Richman will conclude by exploring the circumstances under which two acclaimed performances may transgress the expectations for the performance and considering the implications for actors\, actresses\, audiences\, and experts in the tradition. \nPaula Richman is the William H. Danforth Professor Emerita of South Asian Religions at Oberlin College. Her publications on the diversity of the Ramayana tradition include four edited volumes\, Many Ramayanas (1991)\, Questioning Ramayanas\, a South Asian Tradition (2000)\, Ramayana Stories in Modern South India (2008)\, and Performing the Ramayana Tradition: Enactments\, Interpretations\, and Arguments (2021)\, co-edited with Rustom Bharucha. \nSponsored by the IHC’s South Asian Religions and Cultures Research Focus Group\, Film and Media Studies\, Global Studies\, and Religious Studies
URL:https://ihc.ucsb.edu/event/the-indian-ramayana-and-its-regional-performance-traditions/
LOCATION:2135 Social Sciences and Media Studies\, SSMS UCSB\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/05/Indian-Ramayana_Event.jpg
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139629;-119.848947
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220506T160000
DTEND;TZID=America/Los_Angeles:20220506T173000
DTSTAMP:20260603T045143
CREATED:20220411T161340Z
LAST-MODIFIED:20220419T172016Z
UID:10000378-1651852800-1651858200@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Is a Tekagami a Text? Reading the Fragmentary in a Calligraphy Album
DESCRIPTION:Join the Transregional East Asia RFG for a talk by Edward Kamens entitled\, “Is a Tekagami a Text? Reading the Fragmentary in a Calligraphy Album.” \nEdward Kamens is Sumitomo Professor of Japanese Studies\, Yale University\, and Paul I. Terasaki Chair in U.S.-Japan Relations\, UCLA. \nSponsored by the IHC’s Transregional East Asia Research Focus Group\, East Asia Center\, and Department of East Asian Languages and Cultural Studies
URL:https://ihc.ucsb.edu/event/research-focus-group-talk-is-a-tekagami-a-text-reading-the-fragmentary-in-a-calligraphy-album/
LOCATION:4080 HSSB\, UC Santa Barbara\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Transregional East Asia,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/04/Tekagami_Event.jpg
ORGANIZER;CN="Transregional East Asia Research Focus Group":MAILTO:wfleming@eastasian.ucsb.edu
GEO:34.4139682;-119.8503034
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220512T140000
DTEND;TZID=America/Los_Angeles:20220512T153000
DTSTAMP:20260603T045143
CREATED:20220421T173615Z
LAST-MODIFIED:20220427T172504Z
UID:10000383-1652364000-1652369400@ihc.ucsb.edu
SUMMARY:Research Focus Group Discussion: "Backwater Puritans”? Racism\, Egyptological Stereotypes\, and the Intersection of Local and International at Kushite Tombos
DESCRIPTION:Egyptological and more popular perceptions of Nubia and the Kushite Dynasty (c. 747-654 BCE) have framed Kush as a periphery to civilized Egypt\, unsophisticated interlopers in Egypt and the broader Mediterranean world during the first millennium. But to what extent was Nubia a “backwater” to “effete and sophisticated” Egypt\, as John Wilson once asserted? It is clear from recent archaeological work at Tombos and elsewhere that Nubia was not an unsophisticated backwater. Objects with Egyptianizing motifs in the international style asserted a cosmopolitan social status that connected their owners to an international elite culture that spanned Nubia\, Egypt\, and the Mediterranean during the Iron Age. The Kushite civilization that flourished for a thousand years was not an imperfect imitation of ancient Egypt\, as some Egyptologists have asserted\, or even the fount of Egyptian civilization\, as some Afrocentric scholars have argued. Instead\, features taken from Egypt and the Mediterranean world were adapted and thoroughly integrated with local practices and belief systems to create a new and vibrant African tradition. \nStuart Tyson Smith is Professor of Anthropology at UC Santa Barbara\, specializing in the archaeology of Egypt and Nubia [the Sudan]\, ethnicity\, culture contact and imperialism. \nRegister for Zoom attendance link here \nSponsored by the IHC’s Crossing Borderlands Research Focus Group
URL:https://ihc.ucsb.edu/event/backwater-puritans-racism-egyptological-stereotypes-and-the-intersection-of-local-and-international-at-kushite-tombos/
LOCATION:6056 HSSB and Zoom
CATEGORIES:All Events,IHC Research Focus Groups,Crossing Borderlands
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/04/Backwater-Puritan_Event.jpg
ORGANIZER;CN="Ancient Borderlands RFG":MAILTO:edepalma@history.ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220514T094500
DTEND;TZID=America/Los_Angeles:20220514T171500
DTSTAMP:20260603T045143
CREATED:20220411T160652Z
LAST-MODIFIED:20220502T234537Z
UID:10000376-1652521500-1652548500@ihc.ucsb.edu
SUMMARY:Conference: Global Snapshot: Interdisciplinary Approaches to Media\, Performativity\, and Global Communities
DESCRIPTION:Many scholars have questioned what the rise of globalization\, facilitated through new forms of technology\, could mean for our ability to study and reach larger audiences. While some media practitioners and researchers have struggled to keep pace\, changes to global technologies also present the benefits of accessibility and creativity. Due to the impacts of Covid-19\, global media has become an ever more vital avenue for continuing typical social practices in scholarship and artistic endeavors like conferences and performances. This interdisciplinary conference seeks to interrogate the methodologies that have arisen with media development around the world. What is “global media\,” and how have its various implementations influenced research and other endeavors? How can acts of formal or everyday performance combine with or be adapted to reach diverse audiences? What do we gain or lose by using various forms of media rather than being in person\, or through the labor of keeping up with global media’s rapid developments? Where do ideas of permanence and freedom factor into these developments? \nRegister to attend here. For the full schedule and more information\, please visit the conference website. \nSponsored by the IHC’s What Is a Shakespeare?: Shakespeare and Global Media Research Focus Group\, Department of Theater and Dance\, Graduate Division\, Department of English\, Graduate Student Association\, and Early Modern Center \nImage: “Visitor taking pictures of cloud bans” by GrandTetonNPS
URL:https://ihc.ucsb.edu/event/conference-global-snapshot-interdisciplinary-approaches-to-media-performativity-and-global-communities/
LOCATION:Zoom
CATEGORIES:What Is a Shakespeare?: Shakespeare and Global Media,All Events,IHC Research Focus Groups
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/04/Conference-Global-Snapshot_Event.jpg
ORGANIZER;CN="What Is a Shakespeare?%3A Shakespeare and Global Media RFG":MAILTO:gracekimball@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220520T160000
DTEND;TZID=America/Los_Angeles:20220520T180000
DTSTAMP:20260603T045143
CREATED:20220517T162543Z
LAST-MODIFIED:20220517T163104Z
UID:10000597-1653062400-1653069600@ihc.ucsb.edu
SUMMARY:Research Focus Group Talk: Saving the Dead: Conceptions of Agency in Tibetan Buddhist Funerary Rituals
DESCRIPTION:In this talk\, Rory Lindsay will share with us insights from his forthcoming book\, Saving the Dead: Tibetan Funerary Rituals in the Tradition of the Sarvadurgatipariśodhana Tantra (2022). He will discuss the history of one of the first Buddhist funerary traditions to be adopted in Tibet and the intersecting forms of agency—human\, nonhuman\, and material—that are described in this tradition’s ritual manuals. He will also examine polemical exchanges about these practices and Tibetan innovations concerning how the dead are conceptualized and assisted in this ritual framework. \nRory Lindsay is an Assistant Professor in the Department for the Study of Religion at the University of Toronto. He is also a research editor at 84000: Translating the Words of the Buddha and a visiting scholar at the Buddhist Texts Translation Initiative at the University of California\, Santa Barbara. His research interests include Tibetan Buddhist ritual\, dream literature\, biography\, and Buddhist canons. \nSponsored by the IHC’s South Asian Religions and Cultures Research Focus Group and Buddhist Studies
URL:https://ihc.ucsb.edu/event/saving-the-dead-conceptions-of-agency-in-tibetan-buddhist-funerary-rituals/
LOCATION:4080 HSSB\, UC Santa Barbara\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:All Events,IHC Research Focus Groups,South Asian Religions and Cultures
ATTACH;FMTTYPE=image/jpeg:https://ihc.ucsb.edu/wp-content/uploads/2022/05/Lindsay_Saving-the-Dead_Event.jpg
ORGANIZER;CN="South Asian Religions and Cultures RFG":MAILTO:holdrege@religion.ucsb.edu
GEO:34.4139682;-119.8503034
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